A Rare Pair of Tapered Gilt Bronze Vases with Matte and Burnished Finishing, late Empire period
Call +33 1 45 61 44 55
Attributed to Pierre-Philippe Thomire
A Rare Pair of Tapered Gilt Bronze Vases with Matte and Burnished Finishing
Paris, late Empire period, circa 1815
Height 44 cm; width including handles 13 cm
The two vases, made of finely chased engine-turned and gilt bronze with matte and burnished finishing, feature a tapering, elongated belly that is adorned with applied female figures whose bodies terminate in floral scrolling against a cross-hatched engine-turned ground. The mid-portion of the belly is adorned with plain molded rings framing a band of rosettes and palmettes. The lower portion is decorated with foliate motifs alternating with wide waterleaves. The applied double-reed handles terminate in lateral female masks. The lid, embellished with a gadrooned frieze, terminates in a spiral finial that emerges from a bouquet of leaves. The vase is set on a molded pedestal that is supported by a concave circular base adorned with a frieze of leaves and stems, which is set in turn on a circular plinth centered by an acanthus leaf frieze interwoven with a frieze of arches.
This rare pair of covered vases with faux lids, is very finely chased, engine-turned, and gilded. It is a perfect illustration of the esthetic style promoted by Emperor Napoleon, who favored works inspired by classical antiquity, as well as sober compositions in bronze, always exceptional in quality. This artistic staging of power was inspired by the Parisian Neoclassicism of the reign of Louis XV. As of the mid 18th century, the esthetic dogmas that prevailed in the decorative arts, both in Paris and in Europe as a whole, came into question. This stylistic renewal grew out of the fabulous archeological discoveries made in the ancient Roman cities of Pompeii and Herculaneum, near Naples. During the second half of the century and the early decades of the following century, it greatly influenced contemporary Parisian artistic creations. That was the context in which the present pair of vases was created. Their remarkable design and the exceptional quality of their chasing and gilding support their attribution to Pierre-Philippe Thomire, the most talented Parisian bronzier of the early part of the 19th century.
Pierre-Philippe Thomire (1757-1843) Having become a master founder on May 18, 1772, he was the most important Parisian bronzier of the first quarter of the 18th century and the early years of the following century. Initially he worked for Pierre Gouthière, chaser-founder to the king, and as of the mid-1770s he worked with Louis Prieur. He later became one of the official bronziers of the Royal Sèvres Factory, creating bronze he bought the stock of Martin-Eloi Lignereux and became the main supplier of bronze furnishings for the imperial palaces. He also had a number of wealthy several of Napoleon’s marshals. He retired in the mid-1820s and died in 1843.
Claude Galle Gilt Bronze Ewers, Empire Period
Ivan Hallberg Exceptional Rhodonite, Nephrite and Gilt Bronze Tazza, mid 19th century
Josse-François-Joseph Le Riche Exceptional Sèvres Bisque Porcelain Group Don Quixote Fighting the Puppets, second third of the 18th century
François-Honoré-Georges Jacob-Desmalter Exceptional Mahogany Console with Ebony Veneering and Finely Chased and Gilt Bronze Mounts, Empire period
Sébastien Youf Important Mahogany Tripod Guéridon with Mahogany Veneer and Finely Chased Gilt Bronze Mounts, late Empire period,
Adam Weisweiler Important Pair of Yew-Veeered and Gilt Bronze “à brisure” Commodes, Louis XVI period