An Important Elm and Amboina-Veneered Dressing Table or Coiffeuse, early Restoration - Charles X period
Call +33 1 45 61 44 55
Attributed to François-Honoré-Georges Jacob, known as Jacob-Desmalter (1770-1841)
The Bronze Mounts attributed to Pierre-Philippe Thomire
An Important Elm and Amboina-Veneered Dressing Table or Coiffeuse
Paris, early Restoration - Charles X period, circa 1815-1820
Height 179 cm; width 131 cm; depth 73 cm
- Formerly collection of James de Rothschild (1792-1868)
This rare dressing table, decorated on all sides, is a very unusual two-part piece of furniture, which is elaborately adorned with finely chased, patinated and gilt bronze. The upper portion features a round mirror that is framed by a leaf and flower frieze, and is attached to two baluster columns that are chased with stiff leaves, palmettes, acanthus leaves, and leaf-decorated, engine-turned bands. Resting on tripod feline-paw feet, they issue five light branches, four of which are curved and decorated with arabesque scrolling and rosettes; each also supports a folding, jointed arm with two candleholders. To the side of each stem stands a superb female figure depicting a young nymph coiffed with a flower wreath; the quadrangular bases are adorned with friezes of stylized foliage and ribbon-tied toruses. The blue turquin marble platform, with molded reserve, surmounts a table with wide entablature with two lateral drawers, and a writing surface that is released by pushing a button. The apron is embellished with a pierced foliate motif featuring a wreath flanked by scrolling, palmettes and flowers. The table rests on four robust console feet that are adorned with leaf motifs, terminate in scrolling hooves, and are linked by an H-shaped double-baluster stretcher with central leaf-decorated bands.
This rare example is one of the most elaborate dressing tables of the early decades of the 19th century. Its characteristic design with two distinct parts, one featuring a mirror, distinguishes it from 18th century coiffeuses, in which the mirrors were fixed to the other side of folding elements. Here, the mirror is an integral part of the table and completely fills the function it was intended for. Only a few comparable examples are known today. Among them, one model, which Empress Josephine ordered from Antoine-Thibaut Baudouin as early as 1809, and is an early example of burr ash veneering, is on display in the Grand Trianon (illustrated in the exhibition catalogue L’aigle et le papillon, Symboles des pouvoirs sous Napoléon 1800-1815, Musée des Arts décoratifs, Paris, 2007, p. 116-117). A second piece was purchased directly by the Duchess de Berry at the stand of Félix Rémond during the 1823 Exposition des Produits de l’Industrie and was later placed in the Duchess’s new apartments in the Tuileries Palace; it is today in the Paris Musée des Arts décoratifs (see the exhibition catalogue Entre cour et jardin, Marie-Caroline, duchesse de Berry, Musée de l’Ile-de-France, Sceaux, 2007, p. 131). A third example was delivered by Jacob-Desmalter in 1807 for the Compiègne Palace (illustrated in J-P. Samoyault, Mobilier français Consulat et Empire, Paris, 2009, p. 227). Around 1809 Jacob-Desmalter delivered a fourth table, with lyre feet, for the apartments of the Empress (see J-M. Moulin, Guide du musée national du château de Compiègne, Paris, 1992, p. 81). A fifth example, delivered in 1809 by Thomire-Duterme et Cie for the Empress’s bedchamber in Fontainebleau Palace, is still there; its woodwork has been been described as relating to the Jacob workshop in J-P. Samoyault, Fontainebleau, Musée national du château, Meubles entrés sous le Premier Empire, RMN, Paris, 2004, p. 292-293. Finally, we should mention a comparable piece, the crystal coiffeuse that was created around 1819 by the “A l’Escalier de cristal” firm and is today in the Louvre Museum in Paris (illustrated in D. Alcouffe, A. Dion-Tenenbaum et A. Lefébure, Le mobilier du Louvre, Tome I, Editions Faton, Dijon, 1993, p. 321, catalogue n° 110).
Pierre-Philippe Thomire (1757-1853) was the most important Parisian bronzier of the last quarter of the 18th century and the first decades of the following century. Early on in his career he worked for Pierre Gouthière, ciseleur-fondeur du roi, and toward the mid-1770’s began working with Louis Prieur. He later became one of the bronziers attached to the Manufacture Royale de Sèvres, creating the bronze mounts for most of the important creations of the day. After the Revolution, he purchased the stock of Martin-Eloi Lignereux, thus becoming the most important suppliers of furniture bronzes for châteaux and Imperial Palaces. In addition, he worked for a wealthy private clientele, both French and foreign, including several of Napoleon’s Marshals. Thomire retired in 1823.
François-Honoré-Georges Jacob, known as Jacob Desmalter (1770-1841)
May be considered one of the most important Parisian cabinetmakers of the first quarter of the 19th century. The youngest son of famous cabinetmaker Georges Jacob (1739-1814), in 1798 he married Adélaïde-Anne Lignereux, the daughter of the marchand-mercier and bronzier Martin-Eloi Lignereux. Early on his drawing talents were recognised, and in 1796 he went into partnership with his older brother Georges II Jacob (1768-1803). They took over their father’s workshop in the rue Meslée, founding the Jacob Frères firm. After the death of his brother, he went into partnership with his father and changed his stamp. For over a decade, they furnished the Imperial Garde-Meuble and wealthy connoisseurs of the period. However, in 1813, the delays in payment by the Imperial Administration caused the Jacob firm to declare bankruptcy. In 1825, Jacob Desmalter sold the remaining stock to his son, in return for a comfortable annuity of 6000 francs per year. Freed from his professional responsibilities, he was able to travel. One of his journeys was to England, where George IV asked him to help furnish Windsor Castle. He died in the rue Cadet in Paris on August 15, 1841.
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