Rare Blue Horn and Gilt Bronze Cartel with Wall Bracket, Regency period
Call +33 1 45 61 44 55
Rare Blue Horn and Gilt Bronze Cartel with Wall Bracket
Paris, Regency period, circa 1715-1720
Height 42.5 cm; width 19 cm; depth 11.5 cm
The round enamel dial, made up of thirteen enamel cartouches, is signed “Fiacre Clement a Paris” in a cartouche. It indicates the Roman numeral hours and outermost five-minute intervals, by means of two pierced gilt bronze hands. The movement, also signed “Fiacre Clement a Paris”, is housed in a waisted case that is entirely veneered in blue horn imitating lapis-lazuli with copper inlays, and is elaborately decorated with finely chased gilt bronze mounts. The clock is surmounted by a gadrooned oil lamp that is set on a curved pediment decorated with scrolling moulding and centred by a female mask with a seashell headdress, which is flanked by scrolling acanthus leaves. The sides feature wide leafy scrolls that terminate in volutes. Under the dial there is a pierced cartouche decorated with scrolls, shells and flowers. The lower portion of the cartel features two friezes of beading and water leaves. The bracket is decorated with egg and dart moulding and a leafy bouquet terminating in seeds. The clockmaker designed an ingenious system for winding the movement; therefore the winding hole is hidden behind the numeral “VI”. This luxurious type of cartel, known as a “cartel d’alcôve”, whose design was inspired by drawings by André-Charles Boulle and Daniel Marot, was particularly appreciated by influential Parisian collectors of the early 18th century. Among the known similar clocks, a pendule à poser, with dial signed “Le Bon à Paris”, is illustrated in Giacomo and Aurélie Wannenes, Les plus belles pendules françaises, de Louis XIV à l’Empire, Editions Polistampa, Florence, 2013, p. 63. An identical clock with brown tortoiseshell veneering, whose movement is signed “Thuret à Paris”, is today in a private collection (illustrated in P. Kjellberg, Encyclopédie de la pendule française du Moyen Age au XXe siècle, Les Editions de l’Amateur, Paris, 1997, p. 56, fig. A). On November 30, 1776, after the death of the wife of Fiacre-François Clément (the son of the clockmaker who made the present clock) an inventory of the workshop was drawn up by a Parisian notaire. In it, one of Clément père’s clocks was mentioned as being part of the son’s stock: “A 15-day striking clock in a marquetry case with enamel cartouche dial, with the name of Fiacre Clément 120 Livres”.
Fiacre Clément (d. Paris in 1758)
One of the most important Parisian clockmakers of the first half of the 18th century. After becoming a master on January 16, 1714, he became very well known. In the mid 1740s he opened a workshop in the rue Saint-Denis (see Tardy, Dictionnaire des horlogers français, Paris, 1971, p. 131). Two of his sons, Fiacre-François and Claude, continued to run their father’s workshop until the early years of the reign of Louis XVI.
François Viger Gilt Bronze Rocaille Wall Cartel clock, Louis XV period
Charles Cressent Exceptional Gilt Bronze Wall Cartel with Bracket “Aurora or The Break of Day”, Louis XV period
Important Tortoiseshell, Stained Horn and Engraved Mother-of-Pearl Marquetry Wall Cartel and Console, on a Chased and Gilt Rocaille Copper and Bronze Ground, early Louis XV period
François Ageron Important Matte and Burnished Gilt Bronze Cartel Wall Clock with Sun Mask and Pull Repeat, transitional Louis XV/Louis XVI
Exceptional Gilt Bronze, Brass, Brown Tortoiseshell, Boulle Marquetry Wall Cartel and Bracket “Time Unveiling Truth”, early Louis XV period
Edme-Jean Causard Exceptional Gilt Bronze Wall Cartel “Venus and Cupid” or “Day and Night”, Louis XV period