Exceptional Wall Clock with Double Time Indication, Empire period
Call +33 1 45 61 44 55
Antide Janvier (1751-1835)
Exceptional Wall Clock with Double Time Indication
Paris, Empire period, circa 1805-1810
Overall: Height 53.5 cm; width 53.5 cm; depth 12 cm.
M. Hayard, Antide Janvier 1751-1835, Horloger des étoiles, Villeneuve-Tolosane, 1995
M. Hayard, Antide Janvier 1751-1835, Sa vie à travers son œuvre, 2011
The gilt motifs of the clock stand out against a magnificent square panel of polished red Egyptian porphyry, which forms the dial. Two delicately carved octagonal grooves surround the Roman numeral hour chapter. Each corner features a triangular frame centred by two laurel branches. The central portion of the dial, signed “Antide Janvier à Paris”, features the clockmaker’s initials on a shield framed by two leafy branches; a large gilt bronze arrow-shaped hand bears a small silvered metal annular dial with the engraved Roman hour indications, which are indicated by a small arrow pointing the opposite direction. Similarly to “mystery” clocks, the mechanism is driven by a weight that drives both the main hand and the subsidiary dial, thus creating a double time indication. The dial is framed by a moulded gilt wood frame and is protected by a glass panel.
This extraordinary clock is extremely unusual and probably unique. It is yet another illustration of the remarkable ingenuity of Antide Janvier, who constantly strove to create innovative timekeeping instruments. The clockmaker may have taken his general inspiration from a mechanical picture with a clock in the collection of Bonnier de la Mosson, which today is in the Paris Musée des Arts décoratifs (illustrated in Tardy, La pendule française, 2ème partie: Du Louis XVI à nos jours, Paris, 1975, p. 314). But no piece can rival in ingenuity with the present clock, which is yet another masterpiece created by this extraordinary artisan, who devoted his entire existence to inventing and perfecting complicated clocks.
Antide Janvier (1751-1835)
Janvier was born on 1st July 1751 at Saint-Claude, and trained under his father, a clockmaker named Claude-Etienne. At Saint-Claude Janvier received lessons in mathematics, astronomy and the humanities from the Abbé Tournier. Then in 1768 at the age of 16 he presented an astronomical sphere to the Académie de Besançon (he later became a member of same academy as well as that of Rouen and others).
Janvier was appointed Horloger Mécanicien de Monsieur frère du Roi in 1783. When in 1784 Janvier was presented to Louis XVI by the latter’s brother the comte de Provence, the king was so impressed with the clockmaker’s work that he promptly acquired two of his planetary clocks. He also incorporated Janvier into his services and installed him at the Hôtel des Menus-Plaisirs du Roi, where he remained until moving to the Louvre in 1795. Once installed in the king’s services, Janvier bore the title Horloger Mécanicien du Roi and later with the restoration of the Bourbons was appointed Horloger Ordinaire du Roi. As royal clockmaker he supplied a clock to the Ecole de Chant at the Menus-Plaisirs, a great planetary clock acquired by Louis XVI in 1789 and a “geographical” clock. Other masterpieces included his great astronomical clock with Copernican sphère mouvante, begun in 1789 and finished 1801, which was awarded a gold medal at the Exposition des Produits de l’Industrie, 1801.
During the Revolution Janvier, like the other royal clockmaker Robert Robin was imprisoned though in 1793 he worked for the new government as a member of the jury responsible for inquiries concerning the new Republican time. Though Janvier never enjoyed success as an official clockmaker under Napoleon’s rule he did however continue to produce a number of highly sophisticated clocks, which were widely acclaimed both at home and abroad. From 1800 up until his death on 23rd September 1835 he lived at the Collège des Quatre Nations (today the l’Institut de France) where he established a clock making school. His pupils included Zacharie Raingo and Paul Garnier, founder of the Paris carriage clock industry.
Antoine-André Ravrio Important Gilt Bronze Mantel Clock “Diana’s Chariot”, Empire period
Jean-Simon Deverberie Rare Matte and Burnished Gilt Bronze Mantel Clock “Cupid’s Chariot”, Empire period
Joseph Coteau Rare Enamel, Gilt Bronze and White Carrara Marble Skeleton Clock, Directory period
Jacques-François Vaillant Rare Sèvres Porcelain and Matte and Burnished Gilt Bronze Vase Clock, Louis XVI period
Ferdinand Berthoud Important Ebony Veneered and Gilt and Patinated Bronze Mantel Clock, Neoclassical period, late Louis XV period Model known as “Allegory of Study” or the “Geoffrin” Clock
Jean-Simon Deverberie Rare Gilt and Patinated Bronze Mantel Clock “The American Indian”, Empire period